PPT

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PPT:

Primarily a design language and a concept had to be found for the museum’s exhibition design. As Erkmen (2004) states in an analysis of a design he made; the museum design has to have it’s own language which identifies the difference between museum and exhibition,

首要的设计语言和创意概念是要找对博物馆的展览设计。正如Erkmen在分析他作出的设计时指出：博物馆设计必须有他自己的语言，以此区分出博物馆和常规展览的差别。

TEXT:

has to give hints indicating whether it is temporary or permanent, and has to have a relationship with the materials, lighting and the design concept.

这就表明了无论是暂时的展览还是常驻展馆，都必须考虑到材质、照明和设计思路这第三者的关系。

PPT:

The general concept was planned to reflect the atmosphere of the time period 1870-1927 and reflect the architectural point of view of the architect. The graphic designer, who is the concept designer at the same time, decided to use the manual drawings, lay-outs, sketches of the architect in the backgrounds of the general design.

基本的思路是反映出1870年至1927年时期的气氛和体现建筑师的体系结构。平面设计师在提出设计理念的同时，还要在建筑背景下手绘布局建筑设计图。

TEXT:

The aim was to constitute the atmosphere and keep the audience focused on the atmosphere with the help of the manual drawings. Details (photographs, letters, handwritings etc.) in the exhibition design, guide the audience to feel and sense the aura of the concept.

以达到在图纸的帮助下营造气氛和吸引参观者注意力。并且有关设计的细节（照片、设计说明、手稿）更有利于引导观众感受和理解设计的意义。






PPT:

In the Project of MKM the first problem that had to be solved was the ceiling. The ceiling was lowered with panels to cover various irregular tubes. The main concept was to exhibit without touching the historical ceiling. According to the concept, the common idea of the team was removing the panels and leaving the ceiling with all its natural details including the tubes.

在MKM这个项目中，必须要解决的第一个问题是天花板上覆盖各种不规则管道并且降低至2.7米。又在天花板上悬挂了60*60cm的铝制多孔件，这使可使用空间又被占用1m，为了使设计符合展出的限制规定，因此，设计团队采取去除多孔件和天花板剩下的所有细节，包括铝管所占空间，利用这种手法使层高增加至3.72m。

PPT:

The graphic design of the entrance is the first point that reflects the design language of the museum.

In this picture Contrasts are used on the surface to strengthen the perception. For that the outer surface has bright coloured backgrounds with darker typography and side walls of the entrance have darker background with brighter typography.

入口的平面设计师体现博物馆设计语言的第一个要素，在外表面设计上运用了对比的手法，颜色明亮的背景、入口教案的排版和侧面墙壁上较深的背景形成对比，以加强冲击力。

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